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Please mind your triturating language

28/7/2017

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kitchen tool like bottle
It comes in a neat box about eight inches high, bearing the catchy name “kitchen tool like bottle”. Eight implements in one handily small package. Just the thing for a teenager preparing for a self-catering life in student accommodation.

But what are these useful tools? Knife, spoon, tin-opener, peeler, grater? None of those. And while there is something described as a Bottle Opener, it’s actually a rubber ring to help you grasp a jar.

A thirsty student would struggle to open their beer bottle with that. With or without the guidance note: “Grasp bottle cap by covering it on bottle cap when using.” Or the further warning that if pulled or folded it “may not recover because of once deformation”.

There’s a Seasoning Grinder. And if you’re wondering what that is, “It is used for triturating seasoning such as ginger, horseradish and etc.” Useful.

There’s something that looks reassuringly like a standard lemon-squeezer. “Its shape is designed reasonably in order to squeeze better.”

The shape of the funnel is designed to “look like bottle”. But as it says on the box: “In that way it is relatively convenient to use powered substance and combine with weighing cup used as a little vase as an open mouth is relatively spacious”.

By this point in reading the instructions, my open mouth is certainly relatively spacious. And no powered substances required.

But about that Weighing Cup (no weighing machine provided): “It with degree scale is used for weighing a small amount of things. It is used by combining with each component and also used as a vessel.”

I can see it might combine usefully with the Cheese Grinder: “Please follow direction of arrow to triturate food material when using it.” I will, I will.

Frankly, I’ve never felt the need of an Egg Pulverizator. I’m not even sure what one is – but fortunately there’s an explanation: “It is used for triturating seasoning such as ginger, horseradish and etc.” So that’s clear, then. Or at least familiar.

Lastly – and the need for this is beyond me as well – there’s what can only be called Utensil for Taking Yolk. And that, apparently, is all the explanation you need.

You will, of course, have realised by now that this little bundle of plastic contrivances, like so many useful objects in our lives, especially the plastic sort, was Made in China. That wonderful far-off country where so much of our language too is pulverizated.

And I’m not mocking. Really, I’m not. My grasp of Chinese languages goes no further than being able to identify the winds and dragons on a set of mah-jong tiles. I mean only to express my disappointment at the decision by China’s rulers to clamp down (again) on one of the world’s most reliable sources of inadvertent surrealism.

The government in Beijing has decided that Chinglish is a national embarrassment. From December it aims to enforce new rules ensuring translations “do not contain content that damages the images of China or other countries”.

It will insist all translated signs and labels “prioritise correct grammar and a proper register, while rare expressions and vocabulary words should be avoided”. Good luck with that, then.

Actually, I find it remarkable that the Chinese even attempt English translations of their signage. How many signs in Cantonese do you see on the streets of Norwich?

But if Chinglish is to be cleaned up, we must cherish it while we can. And celebrate signs such as this one, in a public park: “Drug, druger, psychotic is out allowed to enter, miner, senior citizen and disabled man”.

This one by the side of a steep path: “Carefully slipping”.

Or this one, mysteriously in a record shop window: “No Panting!”

And finally, just remember: “Please don’t wipe forcibly words and lines printed each component. Because they may disappear.”

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Those naughty little commas, and apostrophe’s

5/1/2017

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The newspaper column that spawned this blog is no stranger to controversy and criticism. I’ve had abuse over my views on everything from global warming to social housing, nuclear weapons to grammar schools, Brexit to Donald Trump (inevitably). In years past, I’ve even had death threats for expressing my opinions about 4x4s and the invasion of Iraq. But if there’s one thing guaranteed to raise hackles in suburban streets and bring angry letters pouring into newsrooms, it's misuse of the English language. Or what a certain type of reader believes – always firmly – to be misuse.

So I’m reasonably confident that some of what follows will fulfil my regular function of provoking an irate reader response. As well as, I hope, a little of the rib-ticklery we all need at the start of what looks like being another grim year.

A former editor of mine once presented me with a framed copy of a letter he had received, scrawled heavily in an angry hand. Among other choice expressions, it said: “When there’s good men out of work, why employ such as that Semmens? Send him back to the gutter where he belongs.”

My crime on that occasion was to write about “naughty” words. Not even to use them, just to write about them.
But it’s not generally “bad language” that rubs up the man or woman on the Costessey omnibus the wrong way. It’s little things like apostrophes, hyphens and commas. (Or should that be “apostrophe’s, hyphens, and commas”?)

Reporters who like to boldly split infinitives. Others who don’t know the difference between desert and dessert (I’m not going for dinner with them). Headline-writers who put “striked” instead of “struck”.

I’m still shaking my head over that last one, which appeared just before Christmas on the Guardian website. Yes, I do know the Grauniad is famous as the paper that mis-spelled its own name, and yes I know the internet regularly sets new standards for illiteracy, but all the same.

Anyone literate enough to have read this far must share at least some of my pleasure and interest in words. And this is something I know about. (Sentences beginning with ‘And’ or ‘But’ are another thing that winds up a certain type of person, but they probably find me too annoying to read anyway. As they would Shakespeare, Yeats, Dickens. Oh, and the Bible.)

All newspapers and publishers have – or should have – something known in the trade as a style guide. It’s got nothing to do with what we wear to work, but everything to do with the words we use and how we use them.
I have written the style guide for one daily paper, co-written another, and contributed to the Daily Mirror’s version. I can spot a mis-spelled word or a grammatical howler in the middle of a printed page before I take in what the stories on it are about.

So I could hardly pass the poster outside the Palace Theatre in Manchester without grimacing. Advertising the current run of Billy Elliot, the Musical, it shows a man holding a laughing boy. Above the photo, the caption runs: “Funny touching and shamelessly enjoyable”.

And if that doesn’t show what a difference a comma – or its absence – can make, I don’t know what does. It makes the classic “Let’s eat Grandma” seem positively innocent. (OK, I haven't actually been to Manchester lately - but I don't think the photo was doctored. If it was, it still made the point nicely.)

Commas – like the spelling of such words as “defense” and “color” and the meaning of “pants” – are a little different in America. They tend to scatter them about more than we do. But I’d like to stick up for the American practice (though over there they'd call it a practise) of using what’s known as an Oxford comma before the “and” at the end of a list (as in the phrase “apostrophe’s, hyphens, and commas” above).

Consider the list “the president, a racist, and a misogynist”. Three things. Now imagine the same words without the second comma. On such slender differences legal cases are built.

Style guides tend to include things like whether acronyms should be written in capitals (FIFA or Fifa, ISIS or Isis). Which words should be hyphenated or run together (short list, short-list or shortlist). And how some words should be spelled (or spelt).

Personally, I like an “e” in “judgement”, but not in “aging”. You’d never put one in “raging”, “staging” or “engaging”, so why write “ageing”? But I recognise – as a lot of self-described pedants don’t – that this is a matter of preference, not of right and wrong.

I know people who get quite hot under the collar at what they consider the wrong use of “less” and “few”, or “imply” and “infer”. My own bugbear is the way “may” and “might” seem to have swapped meanings in the last few years. It might take me longer than I have here to explain that one fully.

Do these things matter? Probably not a lot. That’s one of the things I’ve learned (learnt?) in all my research and writing of style.

On the other hand, one can still be permitted a facepalm (one word, no hyphen) when an incontinent Twitter-user accuses China of “an unpresidented act”.
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    Aidan Semmens, blogger

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